• Article Index

  • Learn Photography

  • Family Portraits

  • Advertisements

Rising Sun_Uluru_Central Australia

Rising Sun_Uluru_Central Australia

Hasselblad 503CW Camera and Hasselblad 150mm Sonnar f4 lens with Kodak Professional Ektachrome 100VS film

Here’s a most untypical view of Uluru, a photographic and tourist icon in Central Australia. I’ve been fortunate to photograph the rock at sunrise and sunset; in bright and inclement weather; at midday and early evening. I’ve walked around Uluru, but have never climbed it. It never fails to awe me with its beauty and power.

The above image was made shortly after sunrise as the quick rising sun began to warm the landscape. With most folk either sleeping or shooting from the designated sunrise location, I continued around to the opposite side of Uluru and position myself for a very different experience.

The dynamic diagonal line of the rock and the shape of the trees produce a strong silhouette while the presence of the sun adds a sense of hope and explores the notion of time within the still photograph.

You haven’t experienced Australia until you visit the Uluru/Kata Tjuta National Park. Do all you can to visit and, when you do, ensure you stay for at least 4 days. You’ll need that much time to explore the many wonderful photographic opportunities offered.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography


Detail_Mungo National Park_NSW

Detail_Mungo National Park_NSW

Leica M7 camera and Leica 35mm f2 Summicron-M Aspherical lens with Kodak Ektachrome E100VS film

Mungo National Park in far Southwest NSW, Australia is a fascinating location for exploring and photography. It’s an ancient, arid landscape that many thousands of years ago was part of a huge inland lake system that supported a range of flora and fauna and, as a consequence, the regions indigenous people.

This image was made at the end of a long day’s exploration. I’d photographed the sunset, which rendered naturally sculptured elements on the dunes into surreal, vividly colored forms. The light lingered for at least 20 minutes after sunset and produced a soft, warm glow to the landscape. Noticing the tuft of grass, on the top of a mound of sand, I moved in for a close up. It’s a straightforward image that relies on the color contrast between the grass and sand, the repetitive pattern of the lines and the bizarre relationship between the seemingly disparate elements of grass and sand.

This small tuft of grass, isolated by the surrounding sand, acts as a metaphor that could suggest a range of thoughts including the following:

  • The risk to our way of life posed by a changing environment
  • The ability to survive, despite your environment
  • Your ability to grow, despite hardship
  • People that seem to have nothing in common, co-existing peacefully

The vivid color saturation associated with Kodak Professional Ektachrome 100Vs film did a great job of portraying the strength of color in this image. I’ve employed Adobe Camera RAW and Adobe Photoshop CS4 (I processed this image prior to upgrading to CS5) to process the scanned transparency to reproduce, as accurately as possible, the colors recorded by the film. A strong vignette was added to help draw the eye towards the key foreground elements.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography


Uluru Sunset reveals shapes and textures in the landscape

Hasselblad 503cw camera and Hasselblad 50mm f4 Distagon FEL T lens with Kodak Professional Ektachrome 100VS film

Surely one of Australia’s most iconic natural attractions, the Uluru/Kata Tjuta National Park offers the visitor a range of fantastic locations for landscape photography. The above image was made from the car park where visitors often find themselves viewing the changing colors of the rock either side of sunset.

The low angled sun, skimming across the landscape, highlights the textural qualities of the foreground grasses and looming clouds as well as bringing out the shape of the rock. These qualities have been further enhanced through a black-and-white rendering.

I made this image towards the end of a long day. I was up well before sunrise to photograph the rock. I then undertook the long walk around Uluru, which was great fun and provided numerous images with which I remain happy to this day. Following an afternoon exploration through the Valley of the Winds at nearby Kata Tjuta I returned to the final location of the day where this image was made.

If you haven’t already had the opportunity I can certainly recommend a few days at Uluru/Kata Tjuta National Park. I’ve been fortunate to have journeyed there on three occasions and look forward to another visit in the not too distant future.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography

Pic of the Week_The Painted Desert

A surreal beauty is evident at dusk at the Painted Desert in South Australia

Hasselblad 503CW camera and Hasselblad 150mm f4 Sonnar lens with Kodak Professional Ektachrome 100VS film

The Painted Desert is located northeast of Coober Pedy in South Australia. On the way to the location I stopped briefly at the Dingo Fence, one of only 3 man-made structures (I believe) that’s visible from space. The other structures in question being the Great Wall of China and the Hoover Dam in the U.S.A.

Famous for its natural beauty this isolated location has been employed as a set in motion picture films such as Mad Max.

The location’s vivid color palette, the result of erosion over 80 million years, makes it a wonderful place to visit and photograph, particularly at the edges of the day when the landscape takes on a somewhat surreal appearance. Just be sure not to run out of water or fuel. And don’t forget the spare.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography

The Track Back_Trephina Gorge_Central Australia

Leica M6 Camera and Leica 35mm f2 Summicron-M series lens with Kodak Ektachrome 100VS Professional film

Situated 85km east of Alice Springs, along the West MacDonnell Ranges in Central Australia, and known for its sheer quartzite cliffs and river red gums, Trephina Gorge offers excellent opportunities for photography and hiking alike.

Today’s image was made, at dusk, from a viewpoint above the gorge. I’d hiked up earlier to photography the sunset and had to hurry to get back down before darkness descended. But the surroundings were so beautiful in the soft twilight that I stopped to make a few quick pics on the way down.

In putting together an interesting image I wanted to explore the space between the foreground rocks and trees and the cliff face beyond. The dualities of hard rock against soft foliage, the warm/cool color contrast and the relatively limited orange and green palette dominated compositional considerations.

The original film based image was scanned then processed in Adobe Camera RAW and Adobe Photoshop CS4.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography

Portrait Photography of Your Family


Alice with Doll #2_BW

Leica R8 camera and Leica 90mm Summicron-R series lens with Kodak Professional Ektachrome 100VS film



Buddha Statue in Red_Bagan_Myanmar


Buddha Statue in Red_Bagan_Myanmar

Leica M6 camera and Leica 35mm f2 Summicron-M series lens with Kodak Professional Ektachrome 100VS film

The above image was made in Bagan, ancient capital of Myanmar (Burma). The Buddha statue was positioned in front of a mural depicting significant moments from the Buddha’s life. The original image was made with Kodak Ektachrome E100VS film. The ‘vs’ stands for vivid saturation and, with the films slight magenta/red color bias, flesh tones and warm colors sometimes photograph a little too hot for more liking.

In the above image I decided to employ Adobe Camera RAW to de-saturate the image, in particular red and orange, and balance the image out by pushing up the green and blue saturation. I feel a more realistic 3-dimensional representation has been produced.


Buddha Statue in Red_Bagan_Myanmar_BW

Leica M6 camera and Leica 35mm f2 Summicron-M series lens with Kodak Professional Ektachrome E100VS film

In the second version I chose Adobe Photoshop CS4 for a black-and-white rendering with varying degrees of split toning throughout shadows, mid tones and highlights.

If you have a favorite I’d be interested to know your preference.

© Copyright All Rights Reserved

Glenn Guy, Blue Sky Photography


%d bloggers like this: